Once the upper and lower hulls were at that stage, I began working on what I call the 'antenna array'. The bottom of the craft is heavily textured so I applied a rough texture using a thickened acrylic compound. The hatchway and bulkheads were created with strip styrene. Once I was happy with those templates, I drew them directly onto the casting and milled out the areas. I produced plastic templates that would provide the size and shape of the landing gear, and hatch insets. I used the same ceramic egg RTV mold to create the shell, but had to shave it down at the top to reduce it's curve radius. Then it was time to start work on the bottom hull. This same metal straight edge was used as a guide to scribe the panel lines. This was done using a straight edge I mounted at the crown. Then I needed to create the panel lines in the upper hull. Calipers and templates were used to achieve symmetry. Working around a curved surface is REALLY HARD so it took some time and patience to map out the rings and holes that were needed. Once the casting was made, I cleaned up the egg as needed with fillers, and wrapped the bottom in styrene. This mold would provide the castings I needed for the top and bottom hulls. The hull of the ship is trunkated so I only needed about 3/4 of the egg. I began the modeling process by taking a mold on the egg. The egg would translate into a model that was a fairly decent size - not too small, not too large. After looking around the net and hunting local shops and stores I realized IT'S NOT EASY SOURCING GIANT EGGS!! I settled on this ceramic egg: To start things off, I needed an egg shape. They built the model at ILM and looked almost exactly like the painting with all the features and the retractable lights, it was amazing. He looked at them and picked one out and I made a painting of it. "I made about five or six sketches of space ships for it.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |